Introducing language in use : a coursebook (Record no. 21651)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01127nam a22001937a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20220729174158.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220620b ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780415583381 (pbk) |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | UE-CL |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 410.71 |
| Item number | M553 |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Merrison, John |
| 245 ## - TITLE STATEMENT | |
| Title | Introducing language in use : a coursebook |
| Statement of responsibility, etc | / Andrew John Merrison, Aileen Bloomer, Patrick Griffiths and Christopher J. Hall |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | New York & London : |
| Name of publisher, distributor, etc | Routledge Taylor & Francis Group, |
| Date of publication, distribution, etc | 2005 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 452 p. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Linguistics--Language and languages--English language--Usage |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Books |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 1. Introduction: the question of identity in Harold Pinter’s drama<br/>2. Strong-arm her: gendered identity in Harold Pinter’s <br/>3. The indelible memory: memorial identity in Harold printers <br/>4. Eroded rhetoric: linguistic identity in Harold Pinter’s<br/>5. Chic dictatorship: power and political identity in Harold Pinter’s <br/>6. The ethics and aesthetics of existence: sexual identity in Harold Pinter’s <br/>7. Crumbling families: familial and marital identity in Harold Pinter’s <br/><br/> |
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