| 000 | 01211nam a22001937a 4500 | ||
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| 005 | 20260525154841.0 | ||
| 008 | 260525b |||||||| |||| 00| 0 eng d | ||
| 020 | _a(pbk) | ||
| 040 | _cUE-CL | ||
| 082 |
_a822.33 _bR4492 |
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| 100 | _aRighter, Anne | ||
| 245 |
_aShakespeare and the idea of the play _c/Anne Righter |
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| 260 |
_aLondon: _bPenguin Books, _c1962 |
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| 300 | _a199 p. | ||
| 505 | _aContents Acknowledgements Part one I mysteries and moralities: the audience as actor 1. The mystery cycles 2. Morality plays 3. The tyranny of the audience 2 the period of transition: classical comedy and the hybrid plays 1. The comedy of the ancient world 2. The impact of classical tradition 3. The play as illusion 3 the world and the stage 1. The play metaphor 2. Inheritance and experiment 3. The new attitude towards the audience Part two 4 the play image in the early work of shakespeare 1. Act, scene, and tragedy 2. The legacy of the vice 3. Shakespeare's early comedies: shadows, dreams, and plays 5 the player king 1. The king in jest 2. The flawed rule | ||
| 546 | _aEnglish | ||
| 650 | _aShakespeare--Idea--Play | ||
| 942 | _cBK | ||
| 999 |
_c26716 _d26715 |
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