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999 |
_c11915 _d11915 |
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001 | 11869607 | ||
005 | 20200817113947.0 | ||
008 | 991216s2000 enk b 001 0 eng | ||
020 | _a0415192048 (hbk) | ||
020 | _a0415192056 (pbk) | ||
040 | _cDLC | ||
082 | 0 | 0 |
_a809.3/8762 _221 _bR6431 |
100 | 1 | _aRoberts, Adam | |
245 | 1 | 0 |
_aScience fiction _c/ Adam Roberts. |
260 |
_aLondon : _aNew York : _bRoutledge, _c2000 |
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300 |
_avi, 204 p. ; _c21 cm. |
||
650 | 0 |
_aScience fiction _xHistory and criticism. |
|
942 | _cBK | ||
505 | 0 | _a1. Defining science fiction. One definition. Three definitions. The sf novum. Difference. Prediction and nostalgia. Case study: frank herbert, dune (1965) -- 2. The history of science fiction: from beginnings to the 1960s. Origins. Jules verne and h g wells. Pulp sf. The golden age: asimov. New wave. Case study: star wars (1977) and intertextuality -- 3. Gender. Feminist science fiction. Women and aliens. Case study: ursula le guin, the left hand of darkness (1969) -- 4. Race. Representing race. Race and star trek. Alien abduction. Case study: blackness in sonnenfeld's men in black (1997) -- 5. Technology and metaphor. Spaceships. Robots. Cyberspace. Case study: william gibson, neuromancer (1984) -- 6. Conclusion. |