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  <titleInfo>
    <title>Art, mimesis and the avant-grade</title>
  </titleInfo>
  <name type="personal">
    <namePart>Benjamin, Andrew</namePart>
    <role>
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  <originInfo>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>1991</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>217 p.</extent>
  </physicalDescription>
  <tableOfContents>CONTENTS

Acknowledgements List of illustrations

INTRODUCTION: INAUGURATING REPETITION

1 INTERPRETING REFLECTIONS: PAINTING MIRRORS

2 SPACING AND DISTANCING

3 BETRAYING FACES: LUCIAN FREUD'S SELF-PORTRAITS

4 PRESENT REMEMBRANCE: ANSELM KIEFER'S ICONOCLASTIC CONTROVERSY

5 KITAJ AND THE QUESTION OF JEWISH IDENTITY

6 MALEVICH AND THE AVANT-GARDE

7 EISENMAN AND THE HOUSING OF TRADITION

8 PLURALISM, THE COSMOPOLITAN AND THE AVANT-GARDE

9 THE DECLINE OF ART: BENJAMIN'S AURA

10 TRADITION AND EXPERIENCE: WALTER BENJAMIN'S 'ON SOME MOTIFS IN BAUDELAIRE'

11 DESCARTES' FABLE: THE DISCOURSE DE LA METHODE

12 THE REDEMPTION OF VALUE: LAPORTE, WRITING AS ABKURZUNG

Select bibliography

Index</tableOfContents>
  <note type="statement of responsibility">/ Andrew Benjamin</note>
  <note>English</note>
  <subject>
    <topic>Art,--Mimesis--Avant-Grade</topic>
  </subject>
  <classification authority="ddc">701.17 B4381</classification>
  <identifier type="isbn">0415066271 (pbk)</identifier>
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